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I used the redscale in the morning, and the turquoise in the evening, in the same area with the same camera. I set the Minolta AF-C at 100 ISO in both cases. it's fun to compare and we can clearly see that Turquoise is much more suitable and versatile, and it works well with evening light. the Redscale is interesting but always at the edge of underexposure, if not beyond.
I used the redscale in the morning, and the turquoise in the evening, in the same area with the same camera. I set the Minolta AF-C at 100 ISO in both cases. it's fun to compare and we can clearly see that Turquoise is much more suitable and versatile, and it works well with evening light. the Redscale is interesting but always at the edge of underexposure, if not beyond.
I used the redscale in the morning, and the turquoise in the evening, in the same area with the same camera. I set the Minolta AF-C at 100 ISO in both cases. it's fun to compare and we can clearly see that Turquoise is much more suitable and versatile, and it works well with evening light. the Redscale is interesting but always at the edge of underexposure, if not beyond.
I used the redscale in the morning, and the turquoise in the evening, in the same area with the same camera. I set the Minolta AF-C at 100 ISO in both cases. it's fun to compare and we can clearly see that Turquoise is much more suitable and versatile, and it works well with evening light. the Redscale is interesting but always at the edge of underexposure, if not beyond.
I used the redscale in the morning, and the turquoise in the evening, in the same area with the same camera. I set the Minolta AF-C at 100 ISO in both cases. it's fun to compare and we can clearly see that Turquoise is much more suitable and versatile, and it works well with evening light. the Redscale is interesting but always at the edge of underexposure, if not beyond.
I used the redscale in the morning, and the turquoise in the evening, in the same area with the same camera. I set the Minolta AF-C at 100 ISO in both cases. it's fun to compare and we can clearly see that Turquoise is much more suitable and versatile, and it works well with evening light. the Redscale is interesting but always at the edge of underexposure, if not beyond.
I used the redscale in the morning, and the turquoise in the evening, in the same area with the same camera. I set the Minolta AF-C at 100 ISO in both cases. it's fun to compare and we can clearly see that Turquoise is much more suitable and versatile, and it works well with evening light. the Redscale is interesting but always at the edge of underexposure, if not beyond.
I used the redscale in the morning, and the turquoise in the evening, in the same area with the same camera. I set the Minolta AF-C at 100 ISO in both cases. it's fun to compare and we can clearly see that Turquoise is much more suitable and versatile, and it works well with evening light. the Redscale is interesting but always at the edge of underexposure, if not beyond.
I used the redscale in the morning, and the turquoise in the evening, in the same area with the same camera. I set the Minolta AF-C at 100 ISO in both cases. it's fun to compare and we can clearly see that Turquoise is much more suitable and versatile, and it works well with evening light. the Redscale is interesting but always at the edge of underexposure, if not beyond.
I used the redscale in the morning, and the turquoise in the evening, in the same area with the same camera. I set the Minolta AF-C at 100 ISO in both cases. it's fun to compare and we can clearly see that Turquoise is much more suitable and versatile, and it works well with evening light. the Redscale is interesting but always at the edge of underexposure, if not beyond.
I used the redscale in the morning, and the turquoise in the evening, in the same area with the same camera. I set the Minolta AF-C at 100 ISO in both cases. it's fun to compare and we can clearly see that Turquoise is much more suitable and versatile, and it works well with evening light. the Redscale is interesting but always at the edge of underexposure, if not beyond.
I used the redscale in the morning, and the turquoise in the evening, in the same area with the same camera. I set the Minolta AF-C at 100 ISO in both cases. it's fun to compare and we can clearly see that Turquoise is much more suitable and versatile, and it works well with evening light. the Redscale is interesting but always at the edge of underexposure, if not beyond.
I used the redscale in the morning, and the turquoise in the evening, in the same area with the same camera. I set the Minolta AF-C at 100 ISO in both cases. it's fun to compare and we can clearly see that Turquoise is much more suitable and versatile, and it works well with evening light. the Redscale is interesting but always at the edge of underexposure, if not beyond.
