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This expired Ilford 135 i put in my lovely old Yashica FR 1 and set the camera on 400 ASA for both exposures. for development i asked for push +1. I shot most of the pictures in New Delhi, India and topped them with photos of negative prints of several drawings by different artists and by myself.
This expired Ilford 135 i put in my lovely old Yashica FR 1 and set the camera on 400 ASA for both exposures. for development i asked for push +1. I shot most of the pictures in New Delhi, India and topped them with photos of negative prints of several drawings by different artists and by myself.
This expired Ilford 135 i put in my lovely old Yashica FR 1 and set the camera on 400 ASA for both exposures. for development i asked for push +1. I shot most of the pictures in New Delhi, India and topped them with photos of negative prints of several drawings by different artists and by myself.
This expired Ilford 135 i put in my lovely old Yashica FR 1 and set the camera on 400 ASA for both exposures. for development i asked for push +1. I shot most of the pictures in New Delhi, India and topped them with photos of negative prints of several drawings by different artists and by myself.
Funny how sometimes you don't see stuff until its right under your nose. Like the fact that her dress has flowers on it to complement those I covered her with when adding the second layer to this double.
this projects i got inspired to by a random digital picture in some random printed magazine. It got me thinking how to get the effect of portraits in the clouds and i chose the easiest & my favorite way: analogue double exposure :D So i took an expired fujicolor 200 put it in my Yashica FR 1 set on 200 for the portraits & doubled it with clouds shot with the same camera set on 200/300/400 ASA to find out whats the best light-combination. Now i'm quite motivated to repeat that project with different films :)
this projects i got inspired to by a random digital picture in some random printed magazine. It got me thinking how to get the effect of portraits in the clouds and i chose the easiest & my favorite way: analogue double exposure :D So i took an expired fujicolor 200 put it in my Yashica FR 1 set on 200 for the portraits & doubled it with clouds shot with the same camera set on 200/300/400 ASA to find out whats the best light-combination. Now i'm quite motivated to repeat that project with different films :)
recently lovely @streuobst shared this Fujichrome Velvia 100 with me. We both liked the idea to share a film dedicated to our beloved furry companions :) both cameras we set on 200 ASA and for development i asked for cross processing. Thats the reason for this redscale-look: Fujichrome Velvia turns orange and a bit purple when crossed! :D
recently lovely @streuobst shared this Fujichrome Velvia 100 with me. We both liked the idea to share a film dedicated to our beloved furry companions :) both cameras we set on 200 ASA and for development i asked for cross processing. Thats the reason for this redscale-look: Fujichrome Velvia turns orange and a bit purple when crossed! :D
I have almost no free time. And I can't shoot as often as before. So I always carry with me La Sardina with black and white film to capture those rare moments when I meet with my friends. A kind of diary of my days.
This roll from my good friend from Spb.. He gave me it in winter yet:D But i made it only in july.. He shot colorful bokeh. I made redscale and shot my layer on the street.
Taken from a roll of doubles shot on an LC-W. I snapped a whole bunch of clouds first time around then reloaded and added a second layer at Tate Modern, London. Kodak Elitechrome 100, shot first time round at 200 ISO then the second at 100 ISO.
